DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Bad Boy Records, Jay-Z, Mobb Deep, Puff Daddy, The Notorious B.I.G.
All Out is a diss track by 2Pac targeting Jay-Z, Mobb Deep, The Notorious B.I.G., Puff Daddy and Bad Boy Records. The recording also credits Outlawz. The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.
Target DJ Whoo Kid
Eminem Outro is a diss track by Eminem targeting DJ Whoo Kid. The supplied spoken outro uses exaggerated jokes about DJ Whoo Kid's access to Eminem rather than documenting a serious feud.
Target 50 Cent, G-Unit
Here We Go Again is a track by The Game with a diss section by The Game targeting 50 Cent and G-Unit. The recording also credits Dr. Dre. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target Jay-Z
Quick To Back Down is a diss track by Bravehearts targeting Jay-Z. The recording also credits Nas and Lil Jon. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”
Target Canibus
Back Where I Belong is a diss track by LL Cool J targeting Canibus. The recording also credits Ja Rule. The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.
Target Ghostface Killah, Wu-Tang Clan
Peace God (Wu-Tang Clan & Ghostface Killah Diss) is a diss track by 50 Cent targeting Ghostface Killah and Wu-Tang Clan. The supplied recording directly attacks Ghostface Killah and Wu-Tang Clan during an early New York rap dispute.
Target 50 Cent, G-Unit, Lloyd Banks, Olivia, Sha Money XL, Tony Yayo
Why You Smell Like Dat is a diss track by The Game targeting Lloyd Banks, Sha Money XL, Tony Yayo, Olivia, 50 Cent and G-Unit. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target Eminem, Proof
DR C PHD is a diss track by Canibus targeting Eminem and Proof. The recording belongs to Canibus and Eminem's long-running exchange and attacks Eminem or figures associated with him.
Target Cypress Hill
King Of The Hill is a diss track by Westside Connection targeting Cypress Hill. Westside Connection answered Cypress Hill during their feud over alleged borrowing of musical and lyrical ideas connected to the Friday soundtrack.
Target Joe Budden, Meek Mill, Puff Daddy
4PM in Calabasas is a diss track by Drake targeting Puff Daddy, Joe Budden and Meek Mill. Drake addresses several contemporaries through direct and subliminal references during the period following his conflict with Meek Mill.
Target Mobb Deep, The Fugees, The Notorious B.I.G.
When We Ride On Our Enemies (Briss Remix) is a diss track by 2Pac targeting The Fugees, Mobb Deep and The Notorious B.I.G.. The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.
Target Drake, J. Cole
Like That is a track by Future with a diss section by Kendrick Lamar targeting Drake and J. Cole. The recording also credits Metro Boomin and Kendrick Lamar. The track is part of Drake and Kendrick Lamar's 2024 exchange, a rapid sequence of response records that followed Kendrick's verse on “Like That.”