DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Rival MCs
Watch What You Say To Me is a diss track by T.I. targeting Rival MCs. The recording also credits JAŸ-Z. The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.
Target Lil Durk
Chiraq To LA is a diss track by Tyga targeting Lil Durk. The recording also credits The Game. The record answers Lil Durk after their 2014 dispute began around Durk's lyric about Blac Chyna; Tyga recruited The Game for the response, widening the exchange into a Chicago–Los Angeles confrontation.
Target Common, Jeru the Damaja, Masta Ace
Westside Slaughterhouse is a diss track by Westside Connection targeting Masta Ace, Jeru the Damaja and Common. Westside Connection answers artists and critics the group viewed as dismissive of West Coast gangsta rap and its commercial influence.
Target McDonald's
Rib Roast is a diss track by Arby’s targeting McDonald's. The recording is a branded diss advertisement in which Arby's and Pusha T attack McDonald's fish sandwich.
Target Memphis Bleek
Die Too Soon (Remix) is a track by Busta Rhymes with a diss section by The Game targeting Memphis Bleek. The recording also credits DJ Quik and The Game. The track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records.
Target Drake
6:16 in LA is a diss track by Kendrick Lamar targeting Drake. The track is part of Drake and Kendrick Lamar's 2024 exchange, a rapid sequence of response records that followed Kendrick's verse on “Like That.”
Target A$AP Rocky, Future, Kendrick Lamar, Metro Boomin, Rick Ross, The Weeknd
Family Matters is a diss track by Drake targeting Kendrick Lamar, Rick Ross, A$AP Rocky, The Weeknd, Future and Metro Boomin. The track is part of Drake and Kendrick Lamar's 2024 exchange, a rapid sequence of response records that followed Kendrick's verse on “Like That.”
Target 50 Cent, G-Unit, Jay-Z, Lloyd Banks, Rap industry rivals, Tony Yayo
Daytona 500 (500 Bars) is a diss track by The Game targeting Rap industry rivals, Jay-Z, 50 Cent, Lloyd Banks, Tony Yayo and G-Unit. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target The Game
Emotional / Interlude is a diss track by 50 Cent targeting The Game. The song addresses the collapse of 50 Cent's alliance with The Game and the wider disputes surrounding G-Unit.
Target Bad Boy Records, Dr. Dre, Jay-Z, Mobb Deep, The Firm
War Gamez (Acapella) is a diss track by 2Pac targeting Bad Boy Records, Mobb Deep, The Firm, Dr. Dre and Jay-Z. The record belongs to 2Pac's conflict with The Notorious B.I.G., Bad Boy Records, and associated rivals after the 1994 Quad Studios shooting and the ensuing East Coast–West Coast dispute.
Target Fat Joe
I’m Leavin’ is a diss track by 50 Cent targeting Fat Joe. The recording also credits G-Unit. The track belongs to 50 Cent's feud with Ja Rule and Murder Inc., a dispute involving personal conflict, label rivalry, and competing diss records.
Target A$AP Rocky, Rihanna
Burning Bridges is a diss track by Drake targeting A$AP Rocky and Rihanna. The track revisits broken alliances and rivalries surrounding Drake's recent disputes, with targets identified from direct lyrics and contemporary reporting.