Good Night and Good Luck
Target Aristo
Good Night and Good Luck is a diss track by Drake targeting Aristo. The track comes from Drake's early Toronto battle period and directly addresses a local opponent named in the supplied recording.
DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
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Target Aristo
Good Night and Good Luck is a diss track by Drake targeting Aristo. The track comes from Drake's early Toronto battle period and directly addresses a local opponent named in the supplied recording.
Target 50 Cent
Hate It Or Love It (Street Remix) is a diss track by The Game targeting 50 Cent. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target 2014 XXL Freshman Class, New-generation rappers
Bigger Than Me is a diss track by The Game targeting 2014 XXL Freshman Class and New-generation rappers. The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.
Target Kanye West
Red Button is a diss track by Drake targeting Kanye West. The record belongs to Drake's long-running conflict with Pusha T and Kanye West, which became direct in the 2018 exchange between “Infrared,” “Duppy Freestyle,” and “The Story of Adidon.”
Target Cage, Canibus, Insane Clown Posse
Get You Mad is a diss track by Eminem targeting Cage, Canibus and Insane Clown Posse. The recording also credits DJ Revolution. The track is part of the long-running exchange between Eminem and Canibus, rooted in competitive claims and earlier references on record.
Target Music critics, Rival MCs
Mama Said Knock You Out is a diss track by LL Cool J targeting Music critics and Rival MCs. The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.
Target 50 Cent, Lloyd Banks, Tony Yayo
Down is a diss track by The Game targeting Lloyd Banks, Tony Yayo and 50 Cent. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target Jay-Z, Roc-A-Fella Records
Stillmatic Freestyle (Jay-Z Diss) is a diss track by Nas targeting Jay-Z and Roc-A-Fella Records. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”
Target Future, Kendrick Lamar, Metro Boomin, Rick Ross, The Weeknd
Push Ups is a diss track by Drake targeting Kendrick Lamar, Future, Metro Boomin, Rick Ross and The Weeknd. The track is part of Drake and Kendrick Lamar's 2024 exchange, a rapid sequence of response records that followed Kendrick's verse on “Like That.”
Target Copycat rappers, Lil Wayne
Mr. Me Too is a diss track by Clipse targeting Lil Wayne and Copycat rappers. The recording also credits Pharrell Williams. The record attacks rappers accused of copying Clipse's style, fashion, or musical identity.
Target Kanye West
7am On Bridle Path is a diss track by Drake targeting Kanye West. The record belongs to Drake's long-running conflict with Pusha T and Kanye West, which became direct in the 2018 exchange between “Infrared,” “Duppy Freestyle,” and “The Story of Adidon.”
Target Jay-Z, Puff Daddy, Shaniqua Tompkins, Young Buck
Flight 187 is a diss track by 50 Cent targeting Jay-Z, Puff Daddy, Young Buck and Shaniqua Tompkins. The track uses direct names and competitive references to address several of 50 Cent's rap-industry rivals and former associates.