DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Mobb Deep, The Notorious B.I.G., Wendy Williams
Why U Turn on Me? is a diss track by 2Pac targeting Wendy Williams, The Notorious B.I.G. and Mobb Deep. The recording also credits Yusef Sharid. 2Pac responds to broadcaster Wendy Williams over a report about his imprisonment that he publicly rejected, while also extending his existing hostility toward The Notorious B.I.G. and Mobb Deep.
Target 50 Cent, Chris Lighty, Lloyd Banks, Olivia, Tony Yayo
Street Muzik is a diss track by The Game targeting Lloyd Banks, 50 Cent, Tony Yayo, Olivia and Chris Lighty. The recording also credits Sheek Louch. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target Kendrick Lamar
THE HEART PART 6 is a diss track by Drake targeting Kendrick Lamar. The track is part of Drake and Kendrick Lamar's 2024 exchange, a rapid sequence of response records that followed Kendrick's verse on “Like That.”
Target Travis Scott
So Be It is a diss track by Clipse targeting Travis Scott. The record attacks rappers accused of copying Clipse's style, fashion, or musical identity.
Target Rival MCs
Paper Chaser is a diss track by 50 Cent targeting Rival MCs. The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.
Target Tyga
6PM in New York is a diss track by Drake targeting Tyga. Drake addresses several contemporaries through direct and subliminal references during the period following his conflict with Meek Mill.
Target Benzino, Ja Rule
Bully is a diss track by Eminem targeting Benzino and Ja Rule. The track belongs to the early-2000s dispute linking Shady/Aftermath and Murder Inc.; it intensified after Ja Rule mentioned Eminem's daughter.
Target Cam'ron
Dig a Hole is a diss track by Jay-Z targeting Cam'ron. The recording also credits Sterling Simms. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”
Target Cam'ron, Damon Dash, Dipset, Jim Jones
Brooklyn High is a diss track by Jay-Z targeting Jim Jones, Cam'ron, Dipset and Damon Dash. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”
Target 50 Cent
Red Bandana is a diss track by The Game targeting 50 Cent. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target Jay-Z
Zone Out is a diss track by Nas targeting Jay-Z. The recording also credits Bravehearts. The track is part of the Nas–Jay-Z feud, which moved from subliminal references to direct exchanges including “Takeover,” “Ether,” and “Super Ugly.”
Target Rick Ross
Freeway’s Revenge is a diss track by The Game targeting Rick Ross. The song belongs to 50 Cent's dispute with Rick Ross and associated artists, which produced a series of records and online responses in 2009.