DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Jay-Z
Talk 2 ’Em is a diss track by Joe Budden targeting Jay-Z. Joe Budden's criticism of Jay-Z combines their earlier competitive ‘Pump It Up’ history with anger about Jay-Z's tenure as Def Jam president while Budden's album remained shelved. The attack therefore moves between rap skill, executive responsibility and generational relevance.
Target DJ Clue, Jay-Z
Old School Mouse is a diss track by Joe Budden targeting DJ Clue and Jay-Z. Joe Budden attacks DJ Clue and Jay-Z through the power structures around New York mixtapes, radio and label access. He argues that gatekeepers who once benefited from his work later minimized him or controlled which voices received exposure.
Target Lloyd Banks, Rival MCs
Dumb Out is a diss track by Joe Budden targeting Lloyd Banks and Rival MCs. Joe Budden uses the record as an extended case for his own writing and against what he sees as image-driven rap. Specific bars touch Lloyd Banks, while most of the performance addresses unnamed peers and the industry's ranking of lyricists.
Target The Game
Only Girl is a diss track by Joe Budden targeting The Game. Joe Budden and The Game exchanged records after Game treated Budden's G-Unit references as a shot at him. Budden attacks Game's newly marketed gangsta image, his place inside G-Unit and the difference between public threats and their in-person encounters.
Target Def Jam Recordings
Wait a Minute is commercially listed with the parenthetical title Def Jam Diss and belongs to Joe Budden's period of conflict with Def Jam Recordings. The supplied transcript, however, contains no clear label reference or concrete allegation against Def Jam, so the lyric is preserved without manufacturing diss annotations from unrelated battle and club lines.
Target The Game
Breathe (Remix) is a diss track by Joe Budden targeting The Game. Joe Budden and The Game exchanged records after Game treated Budden's G-Unit references as a shot at him. Budden attacks Game's newly marketed gangsta image, his place inside G-Unit and the difference between public threats and their in-person encounters.
Target 50 Cent, G-Unit, The Game
Heartbeatology (G-Unit Diss) is a diss track by Joe Budden targeting 50 Cent, The Game and G-Unit. Joe Budden's mid-2000s exchanges with G-Unit target 50 Cent, Lloyd Banks, Young Buck, Tony Yayo and The Game. He tries to separate the group's commercial image from its members' histories and repeatedly portrays 50 as the executive controlling replaceable subordinates.
Target 50 Cent, G-Unit, Lloyd Banks, The Game, Tony Yayo, Young Buck
Big Shot (G-Unit Diss) is a diss track by Joe Budden targeting 50 Cent, The Game, Lloyd Banks, Young Buck, Tony Yayo and G-Unit. Joe Budden's mid-2000s exchanges with G-Unit target 50 Cent, Lloyd Banks, Young Buck, Tony Yayo and The Game. He tries to separate the group's commercial image from its members' histories and repeatedly portrays 50 as the executive controlling replaceable subordinates.
Target 50 Cent, G-Unit, Lloyd Banks, The Game, Tony Yayo, Young Buck
Game Over (G-Unit Diss) is a diss track by Joe Budden targeting The Game, 50 Cent, Lloyd Banks, Young Buck, Tony Yayo and G-Unit. Joe Budden and The Game exchanged records after Game treated Budden's G-Unit references as a shot at him. Budden attacks Game's newly marketed gangsta image, his place inside G-Unit and the difference between public threats and their in-person encounters.
Target Kanye West
Intro: Stay Down is a track by The Diplomats with a diss section by Cam'ron targeting Kanye West. The recording also credits Jim Jones, Cam’ron, Juelz Santana and Trav. The record attacks Kanye West over loyalty, his relationship with Damon Dash and, later, his public political posture. Cam'ron argues that Kanye seeks former allies only when other relationships fail and separates Harlem street history from Kanye's public persona.
Target Ma$e
Dinner Time is a diss track by Cam'ron targeting Ma$e. Cam'ron and Ma$e were childhood collaborators in Harlem whose relationship fractured over career moves, religion, loyalty and old street history. ‘Take Em to Church’ attacked Ma$e's return from ministry; ‘It's Killa’ revived those grievances, prompting ‘The Oracle’ and Cam's rapid ‘Dinner Time’ response.
Target Ma$e
It’s Killa is a diss track by Cam'ron targeting Ma$e. Cam'ron and Ma$e were childhood collaborators in Harlem whose relationship fractured over career moves, religion, loyalty and old street history. ‘Take Em to Church’ attacked Ma$e's return from ministry; ‘It's Killa’ revived those grievances, prompting ‘The Oracle’ and Cam's rapid ‘Dinner Time’ response.