DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Drake
Afraid (Drake Diss) is a diss track by Joe Budden targeting Drake. The 2016 Joe Budden–Drake dispute began after Budden publicly criticized Views and interpreted Drake records and guest verses as replies. Budden's sequence attacks Drake's authorship, changing personas, alliances and reluctance to answer him by name.
Target Drake
Wake is a diss track by Joe Budden targeting Drake. The 2016 Joe Budden–Drake dispute began after Budden publicly criticized Views and interpreted Drake records and guest verses as replies. Budden's sequence attacks Drake's authorship, changing personas, alliances and reluctance to answer him by name.
Target Drake, Meek Mill
Making A Murderer Part 1 is a diss track by Joe Budden targeting Drake and Meek Mill. The recording also credits Andrea Martin. The 2016 Joe Budden–Drake dispute began after Budden publicly criticized Views and interpreted Drake records and guest verses as replies. Budden's sequence attacks Drake's authorship, changing personas, alliances and reluctance to answer him by name.
Target A$AP Rocky, Big Sean, Jay Electronica, Kendrick Lamar, Meek Mill, Tyler, The Creator
Lost Control (Freestyle) is a diss track by Joe Budden targeting Kendrick Lamar, A$AP Rocky, Jay Electronica, Meek Mill, Tyler, The Creator and Big Sean. Budden's ‘Control’ response accepts Kendrick Lamar's competitive invitation but disputes the ‘king of New York’ claim and then names several other peers as part of a broader argument about bars, regional authority and who deserved inclusion in Kendrick's challenge.
Target Arsonal, Canibus
Spring Training is a diss track by Joe Budden targeting Canibus and Arsonal. ‘Spring Training’ responds to Canibus and battle rapper Arsonal after reports of a record aimed at Joe Budden. Budden attacks Canibus's diminished career standing and uses Arsonal's battle-rap name as a weapon, presenting the entire encounter as practice rather than an equal contest.
Target Mistah F.A.B., Royce da 5'9"
Thou Shall Not Fall is a diss track by Joe Budden targeting Royce da 5'9" and Mistah F.A.B.. Joe Budden's reference to Royce da 5'9" and Mistah F.A.B. followed the Royce–F.A.B. battle. Royce and F.A.B. answered after Budden dismissed the episode, turning a commentary line into a brief three-way competitive dispute before Budden and Royce later became Slaughterhouse partners.
Target Prodigy
Blood On The Wall is a diss track by Joe Budden targeting Prodigy. Joe Budden's section about Prodigy responds to criticism and places the Mobb Deep rapper's celebrated 1990s work against his later public image. The point is not merely age: Budden argues that the reputation no longer matches the music, physical threats or current influence.
Target Saigon
Pain In His Life is a diss track by Joe Budden targeting Saigon. Joe Budden and Saigon's dispute grew from an older line Saigon considered disrespectful and later interview comments. Their exchange became personal after Saigon's ‘Under Achiever,’ with Budden attacking Saigon's delayed album, management history, television exposure and family claims.
Target Saigon
Letter to Saigon is a diss track by Joe Budden targeting Saigon. Joe Budden and Saigon's dispute grew from an older line Saigon considered disrespectful and later interview comments. Their exchange became personal after Saigon's ‘Under Achiever,’ with Budden attacking Saigon's delayed album, management history, television exposure and family claims.
Target Ransom
Ransom Note is a diss track by Joe Budden targeting Ransom. Joe Budden and fellow Jersey City rapper Ransom fell out after their earlier A-Team association and exchanged increasingly personal records. Budden uses their shared history to argue that Ransom's public account erases help, access and private knowledge from before the feud.
Target Ransom
Heart of the City (Ransom Diss) is a diss track by Joe Budden targeting Ransom. Joe Budden and fellow Jersey City rapper Ransom fell out after their earlier A-Team association and exchanged increasingly personal records. Budden uses their shared history to argue that Ransom's public account erases help, access and private knowledge from before the feud.
Target Def Jam Recordings
Def Jam Diss is a diss track by Joe Budden targeting Def Jam Recordings. Joe Budden recorded these complaints while his second album remained delayed at Def Jam. He presents the label and its leadership as profiting from his debut while refusing to release or properly support the follow-up, turning business frustration into a public accusation.