DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Jay-Z
Come and Talk to Me is a diss track by Cam'ron targeting Jay-Z. Cam'ron's conflict with Jay-Z grew out of Roc-A-Fella business tensions, Dipset's relationship with Damon Dash and competing accounts of who created opportunities for whom. The lyrics challenge Jay-Z's authorship, loyalty, fashion, executive record and claim to have made Cam wealthy.
Target Kanye West
Toast Freestyle (Kanye West Diss) is a track by Jim Jones with a diss section by Jim Jones targeting Kanye West. The recording also credits Sen City and Cam’ron. The record attacks Kanye West over loyalty, his relationship with Damon Dash and, later, his public political posture. Cam'ron argues that Kanye seeks former allies only when other relationships fail and separates Harlem street history from Kanye's public persona.
Target Jim Jones, Juelz Santana
Owe Me (Oh No You Didn’t) is a Cam'ron record circulated as an attack on Jim Jones and Juelz Santana during internal Dipset strain. Because the lyric describes one unnamed debtor and does not separate the two men, annotations use Jim Jones as the main target while identifying Juelz Santana as the secondary track-level target rather than assigning unsupported lines to each man.
Target 50 Cent
Curtis (50 Cent Diss) is a diss track by Cam'ron targeting 50 Cent. Cam'ron and 50 Cent's 2007 clash began publicly during a radio argument about Koch Records sales. 50 released ‘Funeral Music,’ and Cam answered by ridiculing 50's government name, sales expectations and authority over G-Unit.
Target Jay-Z
Bigger Picture is a diss track by The Diplomats targeting Jay-Z. The recording also credits Juelz Santana and Cam’ron. Cam'ron's conflict with Jay-Z grew out of Roc-A-Fella business tensions, Dipset's relationship with Damon Dash and competing accounts of who created opportunities for whom. The lyrics challenge Jay-Z's authorship, loyalty, fashion, executive record and claim to have made Cam wealthy.
Target Jay-Z
Dynasty Freestyle is a diss track by The Diplomats targeting Jay-Z. The recording also credits Cam’ron, Jim Jones and Juelz Santana. Cam'ron's conflict with Jay-Z grew out of Roc-A-Fella business tensions, Dipset's relationship with Damon Dash and competing accounts of who created opportunities for whom. The lyrics challenge Jay-Z's authorship, loyalty, fashion, executive record and claim to have made Cam wealthy.
Target Jay-Z
You must not know is a diss track by Cam'ron targeting Jay-Z. The recording also credits Hell Rell. Cam'ron's conflict with Jay-Z grew out of Roc-A-Fella business tensions, Dipset's relationship with Damon Dash and competing accounts of who created opportunities for whom. The lyrics challenge Jay-Z's authorship, loyalty, fashion, executive record and claim to have made Cam wealthy.
Target Jay-Z
Wet Wipes is a Cam'ron single released during his public conflict with Jay-Z. Contemporary coverage connected its video—a Jimmie Walker cameo spoofing Jay-Z—to that dispute, but the supplied lyric itself does not name Jay-Z or make a clear lyrical accusation, so its blocks are preserved without invented diss annotations.
Target Jay-Z
It’s Goin’ Down is a diss track by Cam'ron targeting Jay-Z. Cam'ron's conflict with Jay-Z grew out of Roc-A-Fella business tensions, Dipset's relationship with Damon Dash and competing accounts of who created opportunities for whom. The lyrics challenge Jay-Z's authorship, loyalty, fashion, executive record and claim to have made Cam wealthy.
Target Jay-Z
You Gotta Love It is a diss track by Cam'ron targeting Jay-Z. The recording also credits Max B. Cam'ron's conflict with Jay-Z grew out of Roc-A-Fella business tensions, Dipset's relationship with Damon Dash and competing accounts of who created opportunities for whom. The lyrics challenge Jay-Z's authorship, loyalty, fashion, executive record and claim to have made Cam wealthy.
Target Ma$e
Take Em To Church is a diss track by Cam'ron targeting Ma$e. The recording also credits Un Kasa and Juelz Santana. Cam'ron and Ma$e were childhood collaborators in Harlem whose relationship fractured over career moves, religion, loyalty and old street history. ‘Take Em to Church’ attacked Ma$e's return from ministry; ‘It's Killa’ revived those grievances, prompting ‘The Oracle’ and Cam's rapid ‘Dinner Time’ response.
Target Nas
Show You How Remix Remix is a diss track by The Diplomats targeting Nas. The recording also credits Cam’ron. Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.