DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Nas
Hate Me Now is a diss track by The Diplomats targeting Nas. The recording also credits Cam’ron and Jim Jones. Cam'ron and The Diplomats answered Nas after his 2002 radio criticism of Cam's album and the Summer Jam dispute. Their freestyles deliberately use Nas-associated beats and turn the attack toward his career, family and Queens image.
Target Stan Spit
I Cant Stan It (Stan Spit Diss) is a diss track by Cam'ron targeting Stan Spit. The recording also credits Freekey Zekey. Cam'ron's records answer Harlem rapper Stan Spit after their mentor–protégé relationship broke down and Stan criticized Cam in a freestyle. Cam makes the dispute about loyalty, career dependence and who gave whom an opening.
Target Stan Spit
Stan [RMX] is a diss track by Cam'ron targeting Stan Spit. Cam'ron's records answer Harlem rapper Stan Spit after their mentor–protégé relationship broke down and Stan criticized Cam in a freestyle. Cam makes the dispute about loyalty, career dependence and who gave whom an opening.
Target 50 Cent
Im Sorry Miss Jackson is a diss track by Jadakiss targeting 50 Cent. The recording also credits Styles P. Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
Target 50 Cent
Shots Fired is a diss track by Styles P targeting 50 Cent. The recording also credits Jadakiss. Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
Target 50 Cent
Problem Child is a diss track by Jadakiss targeting 50 Cent. The recording also credits Styles P. Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
Target 50 Cent
Checkmate is a diss track by Jadakiss targeting 50 Cent. Jadakiss and Styles P entered the conflict after Jadakiss appeared on Ja Rule's ‘New York’ and 50 Cent attacked him on ‘Piggy Bank.’ Their responses challenge 50's street narrative, commercial leverage and use of the nine-shot survival story as a brand.
Target Beanie Sigel
Un-Hunh! is a track by Jadakiss with a diss section by Jadakiss targeting Beanie Sigel. The recording also credits DMX. Jadakiss and Beanie Sigel were trading competitive shots during the wider Roc-A-Fella–Ruff Ryders/LOX tension. The bar turns Beanie's name into food wordplay while questioning whether his reputation matched Jadakiss's lyrical standing.
Target 50 Cent, G-Unit
21 Gunz (50 Cent Diss) is a diss track by Ja Rule targeting 50 Cent and G-Unit. The recording also credits Young Merc and Caddillac Tah. The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
Target 50 Cent
New York is a track by Ja Rule with a diss section by Ja Rule targeting 50 Cent. The recording also credits Fat Joe and Jadakiss. The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
Target 50 Cent, Busta Rhymes, Dr. Dre, Proof
The Wrap (Freestyle) is a diss track by Ja Rule targeting 50 Cent, Busta Rhymes, Proof and Dr. Dre. The recording also credits Hussein Fatal. The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.
Target 50 Cent
It’s Murda (Freestyle) is a diss track by Ja Rule targeting 50 Cent. The recording also credits Hussein Fatal. The record belongs to the long-running conflict between Ja Rule and Murder Inc. and 50 Cent's camp. The dispute widened to include G-Unit, Eminem, Dr. Dre, DMX, Busta Rhymes and others through affiliations, response records and personal accusations.