DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target 50 Cent
Don’t Body Yourself Remix is a diss track by The Game targeting 50 Cent. The recording also credits Nas. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target G-Unit
G-Unit Crip is a diss track by The Game targeting G-Unit. The recording also credits Techniec. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target Gonzoe
Peace is a track by The Game with a diss section by The Game targeting Gonzoe. The recording also credits Yukmouth. The recording comes from a West Coast dispute addressed directly in the supplied transcript.
Target Canibus, Jermaine Dupri, The Source
Say What You Say is a diss track by Eminem targeting Jermaine Dupri, Canibus and The Source. The recording also credits Dr. Dre. The track is part of the long-running exchange between Eminem and Canibus, rooted in competitive claims and earlier references on record.
Target Common
Stay Schemin’ is a track by Rick Ross with a diss section by Drake targeting Common. The recording also credits Drake and French Montana. Drake's verse continued his early-2010s exchange with Common, which included pointed references and response records from both artists.
Target 50 Cent, DJ Drama, G-Unit, Lloyd Banks, Tony Yayo
400 Bars is a diss track by The Game targeting 50 Cent, Lloyd Banks, Tony Yayo, G-Unit and DJ Drama. The Game attacks 50 Cent and G-Unit after his removal from the group and the collapse of their public reconciliation.
Target Canibus, Wyclef Jean
Rasta Imposter (Wycelf Jean & Canibus Diss) is a diss track by LL Cool J targeting Wyclef Jean and Canibus. The LL Cool J–Canibus feud began after Canibus referenced LL's microphone tattoo on “4,3,2,1”; altered verses and response records escalated the dispute.
Target Bad Boy Records, Nas
Troublesome ’96 is a diss track by 2Pac targeting Bad Boy Records and Nas. The recording addresses 2Pac and the Outlawz' rivals through direct names, crew references, and broader threats toward their enemies.
Target Rival MCs
You Should Be Dead is a diss track by 50 Cent targeting Rival MCs. The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.
Target Memphis Bleek
State Your Name is a track by The Game with a diss section by The Game targeting Memphis Bleek. The recording also credits Lil Flip and Cassidy. The track belongs to The Game's early competitive exchanges with Memphis Bleek and artists associated with Roc-A-Fella Records.
Target Commercial rappers
Real Hip-Hop - Part II is a diss track by KRS-One targeting Commercial rappers. The recording also credits Mic Vandalz. The supplied transcript is a competitive battle-rap performance directed at rival MCs rather than one consistently named opponent.
Target New York throne claimants
We Will Survive is a diss track by Nas targeting New York throne claimants. The song comes from a period of intense New York competition and uses direct or subliminal challenges toward rival claimants.