DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Rival MCs
Funkmaster Flex Freestyle (2012) is a diss track by Meek Mill targeting Rival MCs. The recording also credits Stalley. This Funkmaster Flex performance is primarily competitive rather than a response to one established opponent. Meek Mill uses street credibility, money and writing skill to challenge unnamed peers, so the target remains collective instead of assigning speculative names.
Target The Game
OOOUUU (Remix) is a diss track by Meek Mill targeting The Game. The recording also credits Takbar, Omelly and Beanie Sigel. The Game accused Meek Mill of informing police about a robbery investigation and released ‘92 Bars.’ Meek and his collaborators answered over ‘OOOUUU,’ disputing the informant claim and attacking Game's alliances, credibility and use of the accusation for publicity.
Target Drake
All the Way Up (Remix) is a diss track by Meek Mill targeting Drake. The recording also credits Jadakiss and Fabolous. Meek Mill accused Drake of using a ghostwriter on ‘R.I.C.O.,’ prompting ‘Charged Up’ and ‘Back to Back.’ Meek's responses repeatedly return to authorship, Quentin Miller's reference track, Drake's Canadian distance from Philadelphia street claims and the public humiliation created by the speed and popularity of Drake's replies.
Target Drake
Trap Vibes combines freestyles over Drake's Summer Sixteen and Desiigner's Panda and was released while Meek Mill's feud with Drake remained active. Reporting and the supplied source frame it as another chapter in that dispute, but the supplied lyric does not name Drake, revisit the ghostwriting charge or contain a sufficiently specific Drake accusation, so no block is falsely labeled as a direct diss.
Target Drake
War Pain is a diss track by Meek Mill targeting Drake. The recording also credits Omelly. Meek Mill accused Drake of using a ghostwriter on ‘R.I.C.O.,’ prompting ‘Charged Up’ and ‘Back to Back.’ Meek's responses repeatedly return to authorship, Quentin Miller's reference track, Drake's Canadian distance from Philadelphia street claims and the public humiliation created by the speed and popularity of Drake's replies.
Target 50 Cent
Gave ’Em Hope is a diss track by Meek Mill targeting 50 Cent. The record extends Meek Mill's social-media clash with 50 Cent. Meek attacks the gap between 50's past dominance and current music, while answering jokes about his own feud with Drake and defending his standing in Philadelphia.
Target Drake
I’m Da Plug (Freestyle) is a diss track by Meek Mill targeting Drake. Meek Mill accused Drake of using a ghostwriter on ‘R.I.C.O.,’ prompting ‘Charged Up’ and ‘Back to Back.’ Meek's responses repeatedly return to authorship, Quentin Miller's reference track, Drake's Canadian distance from Philadelphia street claims and the public humiliation created by the speed and popularity of Drake's replies.
Target Drake
Wanna Know is a diss track by Meek Mill targeting Drake. Meek Mill accused Drake of using a ghostwriter on ‘R.I.C.O.,’ prompting ‘Charged Up’ and ‘Back to Back.’ Meek's responses repeatedly return to authorship, Quentin Miller's reference track, Drake's Canadian distance from Philadelphia street claims and the public humiliation created by the speed and popularity of Drake's replies.
Target Kendrick Lamar
Ooh Kill ’Em is a diss track by Meek Mill targeting Kendrick Lamar. The track answers Kendrick Lamar's ‘Control’ verse and its challenge to prominent peers. Meek treats the callout as an invitation to compete while using Philadelphia identity and direct comparisons to reject Kendrick's attempted authority over New York and the wider field.
Target Cassidy, Kendrick Lamar
Kendrick You Next is a diss track by Meek Mill targeting Cassidy and Kendrick Lamar. Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
Target Cassidy
Repo is a diss track by Meek Mill targeting Cassidy. Meek Mill and Cassidy's Philadelphia feud grew from debate over a proposed battle, money and status. Their records use local history, sales, clothing and career momentum to decide which rapper still represented the city credibly.
Target Drake
Just Because is a diss track by Joe Budden targeting Drake. The 2016 Joe Budden–Drake dispute began after Budden publicly criticized Views and interpreted Drake records and guest verses as replies. Budden's sequence attacks Drake's authorship, changing personas, alliances and reluctance to answer him by name.