Track directory

Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.

376 documented tracks

Starting at record 25
Showing 25–36 of 376
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  1. 2 Chainz · 2017

    Realize

    Target Remy Ma

    Realize is a track by 2 Chainz with a diss section by Nicki Minaj targeting Remy Ma. The recording also credits Nicki Minaj. Nicki Minaj and Remy Ma's 2017 exchange escalated after verses on ‘Make Love’ and ‘Swalla,’ followed by Remy's ‘ShETHER’ and ‘Another One.’ Nicki answered across hit records by focusing on sales, chart power, imprisonment, alliances and the claim that Remy required Nicki's name for attention.

  2. Katy Perry · 2017

    Swish Swish

    Target Remy Ma, Taylor Swift

    Swish Swish is a track by Katy Perry with a diss section by Katy Perry targeting Taylor Swift and Remy Ma. The recording also credits Nicki Minaj. Katy Perry described ‘Swish Swish’ as an anthem against bullies, while listeners connected its rivalry imagery to her dispute with Taylor Swift. Nicki Minaj's guest verse arrived during her Remy Ma feud and uses rap-battle language that was read in that separate context; the annotations keep the two performers' targets distinct.

  3. Nicki Minaj · 2017

    Changed It

    Target Remy Ma

    Changed It is a track by Nicki Minaj with a diss section by Nicki Minaj targeting Remy Ma. The recording also credits Lil Wayne. Nicki Minaj and Remy Ma's 2017 exchange escalated after verses on ‘Make Love’ and ‘Swalla,’ followed by Remy's ‘ShETHER’ and ‘Another One.’ Nicki answered across hit records by focusing on sales, chart power, imprisonment, alliances and the claim that Remy required Nicki's name for attention.

  4. Nicki Minaj · 2017

    No Frauds

    Target Remy Ma

    No Frauds is a track by Nicki Minaj with a diss section by Nicki Minaj targeting Remy Ma. The recording also credits Drake and Lil Wayne. Nicki Minaj and Remy Ma's 2017 exchange escalated after verses on ‘Make Love’ and ‘Swalla,’ followed by Remy's ‘ShETHER’ and ‘Another One.’ Nicki answered across hit records by focusing on sales, chart power, imprisonment, alliances and the claim that Remy required Nicki's name for attention.

  5. Jason Derulo · 2017

    Swalla

    Target Remy Ma

    Swalla is a track by Jason Derulo with a diss section by Nicki Minaj targeting Remy Ma. The recording also credits Ty Dolla $ign and Nicki Minaj. Nicki Minaj and Remy Ma's 2017 exchange escalated after verses on ‘Make Love’ and ‘Swalla,’ followed by Remy's ‘ShETHER’ and ‘Another One.’ Nicki answered across hit records by focusing on sales, chart power, imprisonment, alliances and the claim that Remy required Nicki's name for attention.

  6. Gucci Mane · 2017

    Make Love

    Target Remy Ma

    Make Love is a track by Gucci Mane with a diss section by Nicki Minaj targeting Remy Ma. The recording also credits Nicki Minaj. Nicki Minaj and Remy Ma's 2017 exchange escalated after verses on ‘Make Love’ and ‘Swalla,’ followed by Remy's ‘ShETHER’ and ‘Another One.’ Nicki answered across hit records by focusing on sales, chart power, imprisonment, alliances and the claim that Remy required Nicki's name for attention.

  7. Nicki Minaj · 2011

    Roman’s Revenge (Remix)

    Target Lil' Kim

    Roman’s Revenge (Remix) is a track by Nicki Minaj with a diss section by Nicki Minaj targeting Lil' Kim. The recording also credits Lil Wayne. Nicki Minaj and Lil' Kim's conflict centered on accusations of copied imagery, insufficient respect for an earlier generation and competition over the ‘queen’ position. Some records keep the target unnamed, so the annotation distinguishes documented feud context from what the individual lyric actually says.

  8. Nicki Minaj · 2010

    Roman’s Revenge

    Target Lil' Kim

    Roman’s Revenge is a track by Nicki Minaj with a diss section by Nicki Minaj targeting Lil' Kim. The recording also credits Eminem. Nicki Minaj and Lil' Kim's conflict centered on accusations of copied imagery, insufficient respect for an earlier generation and competition over the ‘queen’ position. Some records keep the target unnamed, so the annotation distinguishes documented feud context from what the individual lyric actually says.