DissNation contains profanity, slurs, and potentially offensive material when faithful documentation requires it. Context is provided, but the language is not sanitized.
Newest added records appear first. Each record connects the artist, targets, addressable lyric blocks, and sourced editorial notes. Keep scrolling to move deeper into the archive.
Target Eminem
RAP DEVIL is a diss track by Machine Gun Kelly targeting Eminem. Machine Gun Kelly released ‘Rap Devil’ after Eminem attacked him on ‘Not Alike.’ Their dispute drew on MGK's 2012 comment about Eminem's daughter, MGK's claim that Eminem and his associates restricted his access and career opportunities, and Eminem's rejection of that account. Allegations made in the lyric are presented as MGK's claims, not independent findings.
Target Rival MCs
Funk Flex Freestyle (2012) is a diss track by Machine Gun Kelly targeting Rival MCs. Machine Gun Kelly performed this 2012 freestyle for Funkmaster Flex shortly before the release of Lace Up. He mentions J. Cole, Drake and Kendrick Lamar as the standard against which he wants to be measured, but the supplied transcript does not attack those artists; its actual battle language is aimed at unnamed competing MCs.
Target Claressa Shields, Papoose
W.Y.F.L. is a diss track by Remy Ma targeting Papoose and Claressa Shields. The recording also credits CrashDummy and DJ MAC. The 2026 record emerged from Remy Ma's public marital dispute with Papoose and his relationship with boxer Claressa Shields. The lyric uses private-history accusations, toughness comparisons and relationship betrayal to address both figures; those allegations are presented as Remy's claims, not independently established facts.
Target Nicki Minaj
Another One is a diss track by Remy Ma targeting Nicki Minaj. Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.
Target Nicki Minaj
ShETHER is a diss track by Remy Ma targeting Nicki Minaj. Remy Ma's 2017 records answer perceived Nicki Minaj shots and turn their long competitive tension into a direct battle. Remy attacks authorship, cosmetic surgery, contracts, relationships, family controversies and Nicki's delay in responding, while some accusations remain disputed and are described as claims rather than facts.
Target Fat Joe, Lil' Kim
Dat Thing (Lil Kim & Fat Joe Diss) is a diss track by Remy Ma targeting Lil' Kim and Fat Joe. Remy Ma answers Lil' Kim directly and also addresses her deteriorating relationship with Fat Joe. The attack uses earlier Terror Squad and New York rap history to argue that former allies changed their stories once money, loyalty and public alliances shifted.
Target Unidentified female rival
When I See Her is a diss track by Remy Ma targeting Unidentified female rival. Contemporary accounts have disagreed over whether Remy Ma meant Lil' Kim or Foxy Brown. Because the lyric never names the woman and the identification remains disputed, the record preserves an unidentified female rival rather than converting rumor into a definite target.
Target Megan Thee Stallion
Big Foot is a diss track by Nicki Minaj targeting Megan Thee Stallion. Nicki Minaj released ‘Big Foot’ after Megan Thee Stallion's ‘Hiss’ invoked Megan's Law, a line widely read as referring to Minaj's husband. Minaj answers by attacking Megan's shooting injury, career, appearance and credibility while repeatedly building puns around Megan's name and height.
Target Latto, Megan Thee Stallion
Red Ruby Da Sleeze is a Nicki Minaj single whose horse imagery was widely read as a subliminal shot at Megan Thee Stallion; other imitation and copycat lines were also linked to Latto during their separate public tension. Because neither woman is named, only the horse passage is annotated to Megan with high confidence, while Latto remains a qualified track-level target rather than being assigned invented line-by-line certainty.
Target 50 Cent, 6ix9ine, Bow Wow, DJ Khaled, Desiigner, Drake, Eminem, Fetty Wap, Future, Kanye West, Lady Luck, Lil Uzi Vert, Meek Mill, Mike Tyson, Odell Beckham Jr., Quavo, The Game, YG, Young M.A, Young Thug
Barbie Dreams is a diss track by Nicki Minaj targeting 50 Cent, Meek Mill, 6ix9ine, DJ Khaled, Drake, Young Thug, Quavo, Lil Uzi Vert, Fetty Wap, Future, Desiigner, Kanye West, YG, Eminem, Bow Wow, The Game, Odell Beckham Jr., Mike Tyson, Young M.A and Lady Luck. Nicki Minaj models ‘Barbie Dreams’ on the comic sexual name-checking of The Notorious B.I.G.'s ‘Just Playing (Dreams).’ She said the jabs were playful, but each joke still turns a peer's public image, relationship or career into a roast; the annotations therefore explain the joke without inventing a serious feud.
Target Female rap rivals
Barbie Tingz is a diss track by Nicki Minaj targeting Female rap rivals. The song attacks unnamed women in rap whom Nicki Minaj portrays as imitators. Because no single opponent is established in the lyric, the target is kept collective and the annotations focus on copying, career dependence and competition rather than assigning every line to a rumored individual.
Target Cardi B
No Flag is a track by London on da Track with a diss section by Nicki Minaj targeting Cardi B. The recording also credits Offset, 21 Savage and Nicki Minaj. The verse was widely interpreted during the rise of Cardi B, although the lyric does not name her directly. The editorial reading treats imitation, label construction and the title of ‘queen’ as the disputed ideas and does not present a rumored identification as an uncontested fact.